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Charles Veasey received a BS in Visual Communications Technology and Audio Recording Technology at Bowling Green State University in 2006. He received an MFA in Integrated Electronic Arts at Rensselaer Polytechnic Institute in 2008. He has worked for Harvestworks, Pauline Oliveros, New Media and Emerging Technologies, and many others researching new media, art, technology, and communication. He works as a composer, sound engineer, designer, programmer, researcher, and educator.

Artistically he works in electroacoustics, acoustics, and interactivity. His compositions place real and imagined sounds into the listener’s consciousness allowing one to perceive aural worlds of the past and present. They intend to reflect human thought and sonic reality, the perception of sound through time, and soundscape morphology. Through interactivity he redefines the human and computer experience by allowing the observer to create experiences of light, sound, and motion. His work serves as a reflection of perceptory awareness; it encourages meditations on the self (human), the environment (nature), and the future (technology).

He is a classical and folk guitarist and a practitioner of Pranayama and Deep Listening. He is a past member of the New York telepresence performance group: Tintinnabulate and a current member of the Santa Fe electronic performance group: Parallel Flux.

Web SIte: Charles Veasey
Photographs: Ethan Bach and J. Craig Tompkins